RM 1830.00
SKU: PRODUCER BUNDLE
Start your home studio with the Mackie Producer Bundle, a handy 2-channel recording solution including a slew of Mackie gear—the Onyx Producer 2·2 USB audio/MIDI interface, the MC-100 headphones, the EM-91C large-diaphragm condenser mic, the EM-89D dynamic handheld vocal mic, and two XLR cables.
Getting set up is easy: connect the interface to your computer via USB, plug the microphones into the interface's XLR inputs, and hook up the headphones with the supplied 1/4" adapter. Record vocals and instruments at up to 24-bit / 192 kHz resolution, interface your MIDI equipment, and use the included software bundle to create quality mixes in the comfort of your own home.
Mackie Onyx Producer 2·2 USB Audio/MIDI Interface
The Mackie Onyx Producer 2·2 is a USB audio/MIDI interface designed for high-resolution recording and monitoring in home and project studios. With its dual Onyx microphone preamps, combo XLR-1/4" inputs, and 5-pin MIDI I/O, the unit is particularly suitable for singer-songwriters and producers who make use of MIDI instruments and MIDI hardware. In your own project studio, you'll be able to connect to your monitors by means of the 1/4" jacks located on the rear of the unit.
The interface is relatively lightweight at 1.4 lb and provides a 1/4" headphone output, so you can take it with you wherever you go. Mackie's all-metal chassis hardware design aids in this endeavor, giving you a robust, roadworthy chassis for the circuitry inside. Should you monitor through headphones, a direct monitor knob is provided, which mitigates any latency as you record your audio. At minimum value, the knob ensures that you hear your direct input from the preamps. At maximum, you'll hear the signal as it's routed through the DAW. Use the knob to blend between the two extremes if you wish. The unit is designed to connect to your Mac or Windows computer over USB, and is bus powered by the host computer.
Analog Circuitry
The Onyx Producer 2·2 delivers high headroom and low noise by means of its analog circuitry, including its Onyx mic preamps.
5-Pin DIN MIDI I/O
Two 5-pin MIDI jacks are provided—one for accepting MIDI signals and another for outputting MIDI to compatible devices.
Direct Monitoring
A true analog monitoring path allows you to hear audio directly from the preamps as you record, so you can eliminate the latency of hearing the audio through your DAW. The knob allows you to blend between direct monitoring and listening off your DAW.
Bus Powered
The interface features connectivity over USB 2.0 for fast data transfers and minimal latency. It's also bus powered through this port, meaning no external power is required. The unit is compatible with Core Audio and ASIO drivers.
All-Metal Chassis Design
The Onyx Series Producer gives you an all-metal enclosure and heavy-duty potentiometers, as well as a robust internal construction.
Key Features at a Glance
UPC: 663961053166
Mackie EM-89D EleMent Series Dynamic Vocal Microphone
The Mackie EM-89D is an EleMent Series dynamic microphone offering tour-worthy construction and sonic performance tuned for clear reproduction of vocals and instruments in live stage applications and studio recording. Like all EleMent Series mics, the EM-89D presents an attractive combination of ruggedness, quality sound, and affordability.
The EM-89D utilizes a cardioid polar pattern, which rejects sound behind the mic to reduce the pickup of stage bleed and allow higher gain before feedback. The mic's dynamic moving-coil design requires no batteries or phantom power, and the balanced 3-pin XLR output ensures proper connectivity with stage boxes, mixers, and portable PA systems. The EM-89D includes a mic clip, an XLR cable, and a zipper pouch.
Mackie EM-91C EleMent Series Large-Diaphragm Condenser Microphone
The Mackie EM-91C is an EleMent Series condenser microphone offering sturdy construction and sonic performance tuned for accurate reproduction of vocals and instruments in project studios and commercial facilities. Like all EleMent Series mics, the EM-91C presents an attractive combination of ruggedness, quality sound, and affordability.
The EM-91C utilizes a cardioid polar pattern, which rejects sound behind the mic to reduce the pickup of bleed from other instruments while attenuating room ambience to deliver a more direct, controlled sound. The mic's large-diaphragm condenser capsule operates via phantom power, and the balanced 3-pin XLR output ensures proper connectivity with audio interfaces, external preamps, and mixing consoles. The EM-91C includes a vibration-reducing shockmount and an XLR cable.
| Form Factor | Desktop |
| Display | None |
| Channels of I/O | Analog: 2 Input / 2 Output at 192 kHz |
| Maximum Sampling Rate | 192 kHz / 24-Bit |
| Number of Microphone Preamps | 2 Preamps |
Connectivity
| Analog Audio I/O | 2 x Combo XLR-1/4" TRS Balanced Mic Input 1 x 1/4" TRS Unbalanced Headphone Output 2 x 1/4" TRS Balanced Monitor Output |
| Phantom Power | 48 V |
| Digital Audio I/O | None |
| Host Connection / USB | 1 x USB-B |
| Host Connection Protocol | USB 2.0 |
| MIDI I/O | 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output |
Performance
| Frequency Response | 0 Hz to 20 kHz ±0.5 dB (Min Gain) |
| Maximum Input Level | Mic Inputs: +11 dBu (Min Gain) Line/Hi-Z Inputs: +24 dBu (Min Gain) |
| Maximum Output Level | Monitor Outputs: +10 dBu Headphone Outputs: +10 dBu |
| THD | Mic Inputs: < 0.001% Line/Hi-Z Inputs: < 0.005% Monitor Outputs: < 0.001% Headphone Outputs: < 0.002% |
| EIN | Mic/Line/Hi-Z Inputs: < -100 dB Monitor Outputs: < -85 dBu Headphone Outputs: < -75 dBu |
Digital Audio
| Sample Rates | Up to 192 kHz |
| Bit Depths | Up to 24-Bit |
| Sync Sources | Internal |
Audio Storage & Playback
| Memory Card Slot | None |
Compatibility
| OS Compatibility | macOS Windows *As of November, 2021: Check with manufacturer for the most up-to-date compatibility |
| Required Hardware | Available USB 2.0 Port |
Power
| Power Requirements | USB Bus Power |
Physical
| Anti-Theft Features | Kensington Security Slot |
| Dimensions | 7.4 x 4.49 x 2.01" / 18.8 x 11.4 x 5.11 cm |
| Weight | 1.4 lb / 0.6 kg |
Packaging Info
| Package Weight | 2.065 lb |
| Box Dimensions (LxWxH) | 11.6 x 6.5 x 3.15" |
Microphone
| Form Factor | Handheld / Stand/Boom Mount |
| Sound Field | Mono |
| Operating Principle | Pressure Gradient |
| Capsule | 1 x Dynamic |
| Polar Pattern | Cardioid |
| Pad | None |
| High-Pass Filter | None |
| Tone Adjustment | None |
| Indicators | None |
| On-Board Controls | None |
| Windscreen | Built-In |
Performance
| Frequency Range | 50 Hz to 16 kHz |
| Impedance | 600 Ohms ± 30% at 1 kHz |
| Sensitivity | -52 dBV/Pa at 1 kHz |
Connectivity
| Headphone Connector | None |
| Number of Conductors | 2 |
Power
| Operating Voltage | Not Specified by Manufacturer |
Physical
| Color | Black |
| Mounting | Mic Clip/Stand Adapter (Included) |
| Dimensions | ø: 2 x L: 7.3" / ø: 5.08 x L: 18.54 cm |
| Weight | 0.66 lb / 0.3 kg |
Packaging Info
| Package Weight | 1.8 lb |
| Box Dimensions (LxWxH) | 13 x 10.5 x 5.7" |
Microphone
| Form Factor | Stand/Boom Mount |
| Sound Field | Mono |
| Operating Principle | Pressure Gradient |
| Capsule | 1 x Condenser |
| Polar Pattern | Cardioid |
| Pad | None |
| High-Pass Filter | None |
| Tone Adjustment | None |
| Indicators | None |
| On-Board Controls | None |
| Windscreen | Built-In |
Performance
| Frequency Range | 20 Hz to 18 kHz |
| Maximum SPL | 134 dB SPL (1 kHz, 1% THD) |
| Impedance | 150 Ohms ± 30% at 1 kHz |
| Sensitivity | -30 dBV/Pa at 1 kHz |
| Signal-to-Noise Ratio | 78 dB |
| Equivalent Noise Level | 16 dB A-Weighted |
Connectivity
| Headphone Connector | None |
| Number of Conductors | 2 |
Power
| Operating Voltage | 48 V |
Physical
| Color | Black |
| Mounting | Shockmount (with Included Hardware) |
| Dimensions | ø: 1.9 x L: 6.1" / ø: 4.83 x L: 15.49 cm |
| Weight | 0.46 lb / 0.21 kg |
Packaging Info
| Package Weight | 1.7 lb |
| Box Dimensions (LxWxH) | 13 x 10.5 x 5.7" |
